Javier de Juan Jaen, Spain, 1958
Juan's recent work sometimes evokes classical paintings, from the collective imagination, epic battles that could pass for rugby matches, struggles of modern man converted into this irrelevant circular game, stripped even of the law of gravity, where the characters seem to fly in circles. Or the case of his reproduction of the three graces of Rubens, where modern women look at each other, but do so through their mobile phones, submerging their identity and human relations in alienating technology.
Exposiciones
In the end it turns out that being alive was about moving
Join our mailing list
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.