Overview
"In an era of digital saturation, my work invites a deeper reflection on our relationship with the visual. Beyond mere consumption, I seek to rekindle awareness of physical experience and shared presence, emphasizing the value of human connection in an increasingly virtual world."

In the contemporary art world, Quique Sarzamora emerges as a provocateur of the consciousness of the present, challenging established conventions and exploring new creative horizons. His work is not limited to mere representation; rather, it delves into the very essence of human experience, redefining the boundaries of traditional art.

 

For Quique, painting is a process that begins long before the brush touches the canvas. It is an exploration of the underground, of what precedes ground zero. From the layout of the canvas to the application of the pigment, each step is a quest to make visible what lies beneath the surface.

 

The result of his meticulous work are direct yet subtle fields of colour that defy photographic capture. To fully appreciate his work, the viewer must abandon distance and immerse themselves in the physical experience of the painting. Only then do the subtleties emerge, the signs of affection, crisis and healing.

Works
Biography

Quique Sarzamora (Seville, 1992) is a visual artist whose work explores the interaction between matter, color, and sensory experience. His academic background includes a Bachelor's Degree in Fine Arts from the University of Seville (2015) and a Master's Degree in Interdisciplinary Artistic Production from the University of Málaga (2017). Additionally, he has complemented his education with workshops taught by renowned artists such as Antonio López, Andrés G. Ibáñez, Ignacio Estudillo, and Chema Cobo, enriching his approach to both figurative realism and abstraction and pictorial experimentation.

 

His work has been featured in numerous solo exhibitions, including "De la imagen tradicional a los cuerpos del alba" at the Fundación Antonio Gala (Córdoba, 2024) and "Los colores del atardecer preparan los del alba" at C.A.C. Francisco Hernández (Vélez Málaga, 2024). He has also exhibited "Óleo y carne" (Seville, 2021) and "Evento Carrington" at the Museo Cabra del Santo Cristo (Jaén, 2020). His work has gained international exposure through his participation in "Forest For The Trees ‘22" at RailSpur Seattle (USA, 2022). In the collective sphere, he has participated in exhibitions such as "Intuitio" (Madrid, 2025), "Crómlech" (Marbella, 2024), and "XX Años de creación en la Fundación Antonio Gala" at the Teatro Cómico Principal de Córdoba (2023). Furthermore, his work has been displayed in cultural spaces in Seville, Cádiz, Cáceres, and Málaga, solidifying his presence in the contemporary Spanish art scene.

 

Sarzamora has received various awards and distinctions, including the First Prize "21 Días en el CAC" (Vélez Málaga, 2022), the First Painting Prize at the III Emerging Young Artists Creation Contest of the University of Loyola (2021), and the First Prize XVIII Marqués de Guadalcanal (Seville, 2018). He also received an honorable mention in the XXX Painting Contest Villa de La Rinconada (Seville, 2022), reaffirming his rising trajectory in the artistic landscape.

 

His career has been enriched by his participation in artist residencies such as the XVII Fundación Antonio Gala Residency for Young Creators (Córdoba, 2018/2019), the III Cabra del Santo Cristo Residency (Jaén, 2020), and the II Selpia Contemporánea Edition in Navas del Selpillar (Córdoba, 2022). In 2018, he also took part in Scarpia XVII in El Carpio (Córdoba), an event dedicated to image construction.

 

Quique Sarzamora's work is part of institutional collections such as the Fundación Antonio Gala, the University of Loyola, the Fundación Marqués de Guadalcanal, and various Andalusian town halls. His painting is distinguished by the experimentation with color, texture, and gesture, establishing a dialogue between the visible and the intangible, chance and intentionality. In his artistic practice, the viewer ceases to be a mere observer and becomes an integral part of a sensory experience that transcends the limits of the canvas.

 

Exhibitions
Press